Miles Davis' recordings of 1951-1954 tend to be overlooked because of his erratic lifestyle of the period and because they predated his first classic quintet. Although he rarely [more]

There's little argument that the quintet Miles Davis led between 1965 and 1968 was one of the classic combos in the history of jazz. [more]

This compilation is taken from the masterful and wondrous box set issued late in the year 2000. It is assembled with the kind of care only [more]

This CD contains all of the music recorded by a particularly strong sextet in 1953, six selections and five alternate takes. With trumpeter Miles Davis, trombonist J.J. [more]

Miles Davis' entry into the Sony Legacy Edition series features his Columbia Records debut and the first offering from his quintet with John Coltrane, Red Garland, [more]

Kind of Blue isn't merely an artistic highlight for Miles Davis, it's an album that towers above its peers, a record generally considered as the definitive jazz album, a universally [more]

This is basically a Charlie Parker album that Miles Davis plays on, largely consisting of old Dial masters. Only on the August 1947 session is Davis listed as leader -- the date which [more]

This album is perhaps most significant for the process it set in motion -- the collaboration between Gil Evans and Miles Davis that would produce Porgy and Bess and Sketches of Spain, two [more]

Miles Davis' concert of February 12, 1964, was originally divided into two LPs, with all of the ballads put on My Funny Valentine. These five lengthy tracks (which include "All of [more]

In an odd bit of programming, Columbia placed the ballads from Miles Davis' February 12, 1964, concert on My Funny Valentine and the uptempo romps on this LP; all of the music has since [more]

Thought by many to be the most revolutionary album in jazz history, having virtually created the genre known as jazz-rock fusion (for better or worse) and being the jazz album to most [more]