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The 1920s is perhaps the only time when we hear what America was actually singing of its own accord, and since record companies at [more]
Three Shades of Blues comprises a selection of tracks cut by Bukka White, Skip James, and Blind Willie McTell, all recorded during different eras. [more]
Offering a quite a few more songs than other budget-priced compilations, Mount Everest of Blues Singers serves up thirty tracks worth of folk, blues, and prison tunes [more]
It's doubtful whether this 12-cut collection from the iffy Legacy imprint (not Sony's) is any kind of history of the blues, but it is a collection of great blues [more]
A native of Amory, MS who came up in Birmingham AL, Lucille Bogan sang about life as she knew it in a rough and tumble environment that provided her with plenty of [more]
This second volume in Document's project to reissue the complete recorded works of Jim Jackson in chronological order isn't quite as necessary as the first, [more]
Although this CD is titled Hokum Blues, all but two of the eight groups actually predate hokum (which came of age in the fall of 1928), although all have some aspects of [more]
"I saw Lightnin' for the first time at a roadhouse in Gary, Indiana. He had on his shades, a process and a dark suit with white socks. He pulled up a chair, plugged in his guitar and tore the house up. The place went wild! It was one of the coolest things I ever saw. Lightnin' was definitely one cool operator." —Charlie Musselwhite
Pruning 16 tracks from Hopkins' extensive catalog for a best-of meant that some hard choices had to be made. The ones Rhino came up with won't [more]
This three-disc set features a total of 42 classic blues recordings, some going back to the 1920s. There's no rhyme or reason to the set, except that all [more]
Mississippi John Hurt's latter-day recordings after his rediscovery have somewhat obscured the importance of these debut sides -- the ones [more]
This CD is a hodgepodge sampling of blues records featuring mostly pre-war slide guitarists ranging from the simplicity of Barbecue Bob (who was much [more]
"You want to know how good the blues can get? Well this is it." —Keith Richards
A double-disc box set containing everything Robert Johnson ever recorded, The Complete Recordings is essential listening, but it is also slightly problematic. The [more]
Mississippi John Hurt's mid-'60s performances were usually distinctive and sometimes staggering. His guitar work was crisp, attractive and frequently brilliant, although [more]