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When Jimmy starts to sing, with a big band, small band or all-star group, every musician swings just a little bit harder. Jimmy is contagious! I consider it a privilege to provide a background in this album for Jimmy Rushing's voice. We didn't want to intrude on his style, simply to provide an accompaniment which would make him free. There were no suggestions as to how we should play behind him. We only knew that in working with Jimmy, we would have to rely on instinct to follow the feeling of the moment, to help him build the mood that he creates in a song. Jimmy is the daddy of them all. -Dave Brubeck
Although associated with the more modern styles of jazz, Brubeck always had a great respect (if not reverence) for the masters of the past. On ten [more]
Unlike his previous recordings on the Decca label, Louis Jordan's successful run on the charts was over by the time he began recording for Aladdin X and Vix between [more]
Mississippi Delta Dues is a complete departure from Mickey Baker's landmark 1950s electric guitar work for Ray Charles and others. With acoustic bottleneck [more]
Louis Jordan's string of hits ended in 1952, but he was still in his musical prime throughout the 1950s, even though he was no longer on the charts. During 1955-56, he cut [more]
One of the many Benny Carter recordings cut after he returned to jazz on a full-time basis in the mid-'70s, this double-LP set is the jewel among [more]
This is a decent session that, considering the lineup, does not live up to its potential. At what was essentially a jazz party held in a recording [more]
Tremendous session with Earl Hines (p) quartet. ~ Ron Wynn, All Music Guide
It is extremely difficult to believe that Benny Carter was 82 years old at the time of this recording, for his strong sound (nothing feeble about his playing) [more]
Benny Carter had already been a major jazz musician for nearly 30 years when he recorded this particularly strong septet session for Contemporary. With notable contributions from tenor [more]
During the late '80s up to the present, Benny Carter (now an octogenarian) has recorded a string of consistently excellent and frequently superb CDs for Music Masters. This [more]
For this 1990 concert, altoist Benny Carter teams up with the great fluegelhornist Clark Terry on a set of standards. Vocalist Billy Hill joins the quintet for four [more]
Nice jive and R&B numbers from Louis Jordan, recorded in live performance. Jordan is at his witty, mischievous best, while his tight combo adds the right blend of supporting riffs and catchy arrangements. ~ Ron Wynn, All Music Guide
This single CD reissues an earlier Jimmy Rushing two-LP set, leaving off two cuts due to lack of space. Jimmy Rushing, who may very well have been the definitive male big [more]
Three Shades of Blues comprises a selection of tracks cut by Bukka White, Skip James, and Blind Willie McTell, all recorded during different eras. [more]
This CD is a hodgepodge sampling of blues records featuring mostly pre-war slide guitarists ranging from the simplicity of Barbecue Bob (who was much [more]
King Curtis and his bubbling, stutter-style tenor sax playing brought a touch of jazz and a whole ton of R&B to countless rock & roll tracks in the early '60s, and his funky edge is [more]
The 56 cuts collected on this JSP set contain all but a few of Louis Jordan's singles and albums recorded for Decca, Aladdin, RCA's "X" imprint, and Mercury between 1953 and [more]