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Jimmy Reed followed a limited formula, but it worked time and time again, and his songs, because of their inherent structural simplicity, are among the most [more]
Big Bill Morganfield continues to forge his own sound with a delicate balancing act on this, his forth album. He pays tribute to his dad and the Chicago sound he helped create on [more]
Jazz enthusiasts frequently refer to Bob Koester's Delmark Records as a "Chicago jazz label," but it is better to describe Delmark as a [more]
The first time Nick Moss & the Flip Tops cut a live set at Chan's blues club in Rhode Island, the resulting album was nominated for two Blues Music [more]
When Mike Bloomfield and Nick Gravenites were recorded by Columbia at the Fillmore West in early 1969, most of the tracks the label released appeared [more]
Part of Universal's Authorized Bootleg series, this disc combines 15 highlights from Muddy Waters' multi-night stint [more]
Shirley Johnson has toiled regularly in Chicago nightspots for decades, and follows up her successful Delmark CD Killer Diller with this set of originals and soul standards, [more]
It would be hard for a hastily put together blues compilation like this one to live up to its title; this one doesn't. Despite the fact that there's no rhyme nor reason in [more]
Jimmy Reed's second album was a little bit different from his first, but not in a way that detracted from its value. Oh, as with most blues albums of the period, it consisted mostly [more]
JSP is a reissue label sent by angels to alleviate suffering and dispel ignorance in the world. We know this because JSP has done a fantastic job of [more]
Buddy Guy mostly indulges his histrionic side throughout this high-energy set, first issued in France and soon picked up for domestic consumption by Alligator. Stone Crazy! is a [more]
The first album and the perfect place to start. Wild, raucous, crazy music straight out of the South Side clubs. The incessant drive of Hound Dog's playing is best heard on "Give Me Back My Wig," "55th Street Boogie," and