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The inside sleeve of Delbert McClinton's Acquired Taste reads "...nobody likes me at first." And that's a fair assessment for one of the most enduring figures in American [more]
If any label has the means to exploit its catalog, it's Rounder, and in its Perfect Ten series, the label picked ten of its best-known artists and chose [more]
Clarence "Gatemouth" Brown was a versatile and crowd-pleasing entertainer throughout his long career, but it's easy to overlook just how explosive a [more]
Lightnin' Hopkins had a hard and fast approach to dealing with the abundance of record labels he recorded for during his career. The irascible bluesman would show up [more]
Young Texas guitarist Anson Funderburgh and veteran harpist Sam Myers got along so well during the making of this fine set that they got their act together [more]
Like everything on Memphis Slim's album Goin' Back to Tennessee or Alvin Youngblood Hart's "Tallacatcha" (a Western swing performance worthy [more]
Second Winter, Johnny Winter's second album for Columbia, originally had the distinction of being the only album in rock history that was a three-sided double LP. [more]
If you're talking about packaging, the flaws of this disc are considerable. Comprised of 14 songs from 1960-1990 (most from 1960-71), the unifying theme is that all of them are [more]
"I saw Lightnin' for the first time at a roadhouse in Gary, Indiana. He had on his shades, a process and a dark suit with white socks. He pulled up a chair, plugged in his guitar and tore the house up. The place went wild! It was one of the coolest things I ever saw. Lightnin' was definitely one cool operator." —Charlie Musselwhite
Pruning 16 tracks from Hopkins' extensive catalog for a best-of meant that some hard choices had to be made. The ones Rhino came up with won't [more]