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Evil is a terrific vinyl collection of Howlin' Wolf's quintessential Sun and Chess recordings. It remains an excellent summary of his best work, but it has since been supplanted by readily [more]
This is a really silly album, and calling it Tribute to the Music of the Blues Brothers is just this side of ridiculous. However fun they might be [more]
If any label has the means to exploit its catalog, it's Rounder, and in its Perfect Ten series, the label picked ten of its best-known artists and chose [more]
A 24-track collection of various tracks that Paul McCartney either covered or was influenced by, this set works just as well as a sequence without the McCartney connection. When you can hear the Coasters'
It would be hard for a hastily put together blues compilation like this one to live up to its title; this one doesn't. Despite the fact that there's no rhyme nor reason in [more]
Nine songs recorded double-quick in one session, with Lowell Fulson on lead guitar on most of it -- the rare embellishment on a Hooker release makes for [more]
It's not much of a secret that Led Zeppelin (and the whole heavy metal genre that arose in the group's wake) had their roots deep in the blues, and there are several sets [more]
Jimmy Reed followed a limited formula, but it worked time and time again, and his songs, because of their inherent structural simplicity, are among the most [more]
Founded in 1945 in Nashville by Jim Bulliet, Wally Fowler, and C.V. Hitchcock, Bullet Records was one of the most successful independent record labels in the [more]
Jimmy Reed's second album was a little bit different from his first, but not in a way that detracted from its value. Oh, as with most blues albums of the period, it consisted mostly [more]
In deciding where to start listening to Jimmy Reed, the man and his record label made it easy -- at the beginning. His debut LP release, I'm Jimmy Reed, was about as strong a first [more]
Part of Universal's Authorized Bootleg series, this disc combines 15 highlights from Muddy Waters' multi-night stint [more]
Lightnin' Hopkins had a hard and fast approach to dealing with the abundance of record labels he recorded for during his career. The irascible bluesman would show up [more]
Big Pete Pearson grew up singing and playing guitar and bass in the juke joints of Austin, TX, long before that town became a Mecca for maverick musicians. He sang in church [more]