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This is an MJQ album that, for most fans, is somewhat off their beaten path. At a time when they had left Apple records, returning to the Atlantic label, and when [more]
Aside from about 48 minutes' worth of amateur home recordings from the 1940s issued in 2000 by the E3 label, Fivefour's Emergence contains what appear to be Bill Evans' earliest appearances [more]
When bandleader Stan Kenton was approached to record an album of holiday music in 1961 he agreed, on one condition -- no songs about singing snowmen or flying reindeer. The resulting [more]
This LP has a particularly strong all-around set by the Modern Jazz Quartet. While John Lewis' "Versailles" and an 11-minute "Fontessa" show the seriousness of the group (and the [more]
This album has an interesting concept, alternating four original blues with five adaptations of melodies from classical works by Bach. The Modern Jazz Quartet had long been [more]
As part of their 40th anniversary, the Modern Jazz Quartet welcomed ten guest artists to their Celebration CD: Bobby McFerrin (brilliant on
The Modern Jazz Quartet (MJQ) delighted in violating stereotypes. During the 1950s, when jazz musicians were often unfairly portrayed as unreliable or [more]
This is a strong recording from the Modern Jazz Quartet, with inventive versions of John Lewis' "Vendome," Ray Brown's "Pyramid," Jim Hall's "Romaine," and Lewis' famous "Django," along with cooking jams on "How High the Moon" and
After drummer Connie Kay passed away, this previously unreleased concert, recorded in Slovenia in 1960, was issued on a double CD and dedicated to him. The Modern Jazz [more]
At the time, this two-record set was viewed as the end of an era. Now it only represents the climax of phase one. It's an excellent set, though -- among their best live efforts. ~ Ron Wynn, All Music Guide