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Although there are a multitude of box sets chronicling Bessie's entire recorded career, this two-disc, 36-song set sweats it down to the bare essentials in quite an effective [more]
This recording was not only Louis Armstrong's finest record of the 1950s but one of the truly classic jazz sets. Armstrong and his All-Stars [more]
As he left Ellington said, 'It was lovely.' At 8:00 a.m., he and his band were off to an engagement in Oklahoma City. For Duke, it was back to business as usual, but, as Whitney Balliett wrote in The New Yorker, the maestro 'was finally given his due by his country.' -Doug Ramsey
One of the undeniable highlights of President Richard Nixon's administration was the 1969 White House gala celebrating Duke Ellington's 70th birthday, though jazz [more]
Pioneers in the early development of the violin and guitar as jazz instruments, Joe Venuti & Eddie Lang made music that can best be described as friendly and inventive. This [more]
Part of Bluebird's very admirable reissue of all of Fats Waller's 1934-42 Victor recordings, this three-CD set has the [more]
Nice reissue featuring the great swing era bandleader Fletcher Henderson and his orchestra on recordings from 1932 to 1937. Some players presented include Omer Simeon, Coleman Hawkins, and Big Sid Catlett. ~ Ron Wynn, All Music Guide
This expansive four-disc anthology essentially covers the recorded history of the guitar in the 20th century, beginning with the ragtime banjo that set the [more]
This rare trio session by Duke Ellington (on which he is joined by bassist Aaron Bell and drummer Sam Woodyard) was the first of several in the early '60s that [more]
This set reissues 18 of The Original Dixieland Jazz Band's recordings. A cross-section of their output (rather than a complete set), the release starts off with their hit [more]
Armstrong and the 1960 version of his All-Stars (which included trombonist Trummy Young, clarinetist Barney Bigard, pianist Billy Kyle, bassist Mort [more]
To hear unadulterated Fats Waller on stride piano is like being in seventh heaven. But take into account that these recordings, originally released on the Biograph [more]
While Louis Armstrong didn't invent jazz, he certainly shaped it in his own image, personalizing it, popularizing it, and giving it a template to follow into the modern [more]