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This recording was not only Louis Armstrong's finest record of the 1950s but one of the truly classic jazz sets. Armstrong and his All-Stars [more]
This set reissues 18 of The Original Dixieland Jazz Band's recordings. A cross-section of their output (rather than a complete set), the release starts off with their hit [more]
Armstrong and the 1960 version of his All-Stars (which included trombonist Trummy Young, clarinetist Barney Bigard, pianist Billy Kyle, bassist Mort [more]
Three overlapping groups are heard from here, and they revisit the repertoire of the McKenzie & Condon's Chicagoans [more]
For her sixth recording and first on a major label (Verve), Luciana Souza's concept of "new bossa nova" is melding Brazilian rhythms onto adult contemporary folk-pop MOR songs. She [more]
Chuck Hedges' recorded debut as a leader is actually a jam session date that co-stars fellow clarinetist {Allan Vaché}. Joined by a [more]
In 2007, Concord and the Monterey Jazz Festival joined forces to celebrate the fiftieth edition of the long running festival by launching a special [more]
The most famous trombonist to come out of New Orleans before 1920, Kid Ory defined the role of his instrument in New Orleans jazz throughout his career. His [more]
While Louis Armstrong didn't invent jazz, he certainly shaped it in his own image, personalizing it, popularizing it, and giving it a template to follow into the modern [more]
In addition to the friendliest photograph of Bill Coleman ever published, this fourth installment in the Classics Coleman chronology presents material performed live in Paris, France. The [more]
Lionized and showered with honors, Sidney Bechet settled down in Paris during the early 1950s, performing regularly in the company of traditional-minded French musicians before enthusiastic, [more]
Its title aside (which suggests that Hoagy Carmichael was a some distant forerunner of Jackson Browne or Dar Williams, a case that would be [more]