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Past say, oh, the early to mid-'80s, whenever you heard the phrase "instrumental rock music," it usually meant a group of heavy metallists shredding away on [more]
For this 35-minute CD/EP, the new version of the Jacob Fred Jazz Odyssey wends through six tracks reflecting diverse influences, their Tulsa, OK roots, and the [more]
A Tear to a Smile holds a unique place in Roy Ayers' vast catalog. Released in 1975, it follows a string of albums that began in 1971 with He's Coming where the great [more]
Brothers Jimmy Heath and Albert "Tootie" Heath carry on together in the tradition of the Heath Brothers band, minus their deceased brother, bassist Percy Heath. David Wong ably fills [more]
All three volumes of Medeski, Martin & Wood's Radiolarians series were reportedly to be recorded and released in 2008. Only the first volume appeared, but it provided a [more]
Despite contributions from an abundance of soul-jazz greats including Dee Dee Bridgewater, Jimmy Owens, and Garnett Brown, Virgo Red is the most stripped-down and nuanced of Roy [more]
The cover art of Reel Life, with a tiny image of Sonny Rollins sitting on top of a giant tape reel, is a telling factor in this 1982 studio session. Rollins was one of the first [more]
It isn't hard to see how {Mörglbl} came up with the humorous title {Jäzz for the Deaf} for this album; combining jazz with hard rock, the French power trio (Christophe Godin on [more]
The second volume in keyboardist John Medeski, drummer Billy Martin, and bassist Chris Wood's Radiolarians series is, much like the first, wildly eclectic. Certainly all the [more]
As a leader, guitarist, and composer John Scofield has made many different kinds of records over the course of his long career, as well as played on dozens more as a sideman to people [more]
It is obvious from the music of his group that Marcus Miller badly misses Miles Davis. The funky grooves he uses on this CD sound like a continuation of Davis' later band, Michael "Patches" [more]
Medeski, Martin & Wood have been incorporating seemingly every corner of the musical universe, from funk to gospel to progressive sambas, into their sound for some time [more]
To some musicologists, it is a contradiction to say that music is "funky yet complex and cerebral." After all, funk (as in Tower of Power, Cameo, Rick James, ConFunkShun, and the [more]
Though it was recorded live at New York's jazz emporium, Iridium, Detroit born saxophonist Kenny Garret makes a return home of sorts with Sketches of MD, his debut on the Motor [more]