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This recording was not only Louis Armstrong's finest record of the 1950s but one of the truly classic jazz sets. Armstrong and his All-Stars [more]
Louis Armstrong and Fats Waller only worked together twice, briefly in 1925 in Erskine Tate's band and four years later in the New York [more]
Of less importance than the concurrent release of The Best of Louis Armstrong: The Hot Five and Seven Recordings is Satch Blows the Blues, since it only distills the great [more]
"Armstrong jovially balanced his calling as a musician with his job as an entertainer, applying his virtuosity while showing audiences a good time." —New York Times
In conjunction with the release of Ken Burns' ten-part, 19-hour epic PBS documentary {#Jazz}, Columbia issued 22 single-disc compilations devoted to jazz's most significant [more]
Benny Goodman's volume in the Ken Burns Jazz series ranges from one of his first recording appearances, on a 1927 side by Ben Pollack, all the way to the late '50s. Of the 22 tracks, [more]
Although Rhino's four-disc box set, Q: The Musical Biography of Quincy Jones, was released to coincide with Quincy Jones' autobiography, and that's what gives [more]
While Louis Armstrong didn't invent jazz, he certainly shaped it in his own image, personalizing it, popularizing it, and giving it a template to follow into the modern [more]
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Vol. 1 (TT: 50:05): Sweet Georgia Brown; Macedonia Lullaby; Soft Lights and Sweet Music; Broadway; [more]
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Let's Dance; Bugle Call Rag; On the Sunny Side of the Street; 'Deed I Do; Who Cares; Blue Skies; I Want a [more]
As Louis Armstrong traversed the globe, bringing jazz to every corner of it, live recordings became the norm. This reissue brings together 1955 concert recordings with the [more]
Featured with the Louis Armstrong All-Stars during several periods, Arvell Shaw was arguably Armstrong's finest bassist and the only musician in his band that was influenced to an extent by bebop. Shaw played tuba in high school before switching to bass. He played with Fate Marable on riverboats in 1942, was in the Navy during 1942-45 and then was in Louis Armstrong's final big band (1945-47). Along with drummer Sid Catlett, Shaw was retained after the orchestra broke up and became an original member of the Louis Armstrong AllStars, easily the youngest member at age 24. Although he spent 1950-52 off the road, completing his musical studies, Shaw rejoined Armstrong during 1952-56, traveling the world and appearing on many recordings with Satch until he left in 1956. Shaw worked with Russ Case at CBS, was with the Teddy Wilson Trio, played at the Brussels World Fair with Benny Goodman in 1958, stayed in Europe for a few years and rejoined Goodman for his Latin American tour of 1962. Shaw spent a third period back with Louis Armstrong (1962-64) and rejoined him briefly a few times later in the decade. Otherwise, Arvell Shaw (who has never led his own record date) has been a freelancer in the New York area ever since, playing with a variety of all-star mainstream groups and in the 1980's touring with a show titled "The Wonderful World Of Louis Armstrong." ~ Scott Yanow, All Music Guide