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This recording was not only Louis Armstrong's finest record of the 1950s but one of the truly classic jazz sets. Armstrong and his All-Stars [more]
Louis Armstrong and Fats Waller only worked together twice, briefly in 1925 in Erskine Tate's band and four years later in the New York [more]
Of less importance than the concurrent release of The Best of Louis Armstrong: The Hot Five and Seven Recordings is Satch Blows the Blues, since it only distills the great [more]
"Armstrong jovially balanced his calling as a musician with his job as an entertainer, applying his virtuosity while showing audiences a good time." —New York Times
In conjunction with the release of Ken Burns' ten-part, 19-hour epic PBS documentary {#Jazz}, Columbia issued 22 single-disc compilations devoted to jazz's most significant [more]
While Louis Armstrong didn't invent jazz, he certainly shaped it in his own image, personalizing it, popularizing it, and giving it a template to follow into the modern [more]
As Louis Armstrong traversed the globe, bringing jazz to every corner of it, live recordings became the norm. This reissue brings together 1955 concert recordings with the [more]
Actually recorded several years before Vol. 1, this somewhat loose concert finds trombonist Jack Teagarden co-starring with Louis [more]
Lee Wiley was a mysterious, enigmatic figure; a subtle singer, she was both introverted and sensual. Although Wiley mostly stuck reasonably close to the melodies she sang (and [more]
It is ironic that Barrett Deems' highest profile gig, touring with the Louis Armstrong All-Stars, found him very much out-of-place, reduced to playing in a Dixieland setting. In reality, Deems had a lengthy career with other lesser-known high points. He was with Paul Ash's group when he was just 15 and had his own groups during much of the 1930s. Deems was with the Joe Venuti big band (1937-1944), Red Norvo (1948), Charlie Barnet (1951), and Muggsy Spanier (1951-1954); during that era he was billed almost accurately as "the world's fastest drummer." Deems was with Louis Armstrong during 1954-1958, a period when he was criticized by many jazz writers despite giving the music his best effort. After playing with Jack Teagarden (1960-1963), he settled in Chicago where he played locally with many top swing stars. Deems toured Eastern Europe with Benny Goodman's sextet in 1976 and visited South America with Wild Bill Davison. In later years, Barrett Deems led a fairly modern big band in Chicago and he recorded a strong set with the orchestra for Delmark after he turned 80, his playing modeled after Buddy Rich; he died of pneumonia September 15, 1998. ~ Scott Yanow, All Music Guide