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This is not and cannot be the Complete Cole Porter Songbooks, but it's a marvelous collection of 48 timeless jazz interpretations drawn from the Verve catalog. [more]
One of the giants of American popular song gets his due with this three-disc Verve box, comprising a trio of separately released compilations. Though Mercer's [more]
Of less importance than the concurrent release of The Best of Louis Armstrong: The Hot Five and Seven Recordings is Satch Blows the Blues, since it only distills the great [more]
This LP contains six Bill Russo arrangements, five from Stan Kenton, and one by Lennie Niehaus. The repertoire features many songs not associated with Kenton (such as [more]
On Today, Tomorrow, Forever, Nancy Wilson lights up a set of the usual mid-'60s pop standards: "One Note Samba," "I Left My Heart in San Francisco," "Wives and Lovers," "Our [more]
This CD contains one of the classic Stan Kenton albums, a six-part suite composed and arranged by Johnny Richards. The Kenton orchestra was expanded to 27 pieces for these dates including [more]
This recording contains eight compositions apiece by Bill Russo and Bill Holman for the Stan Kenton Orchestra of 1953-54. All of the inventive music has since been reissued on CD by [more]
Stan Kenton's orchestra was never the place to hear a nice tune played sweetly; arrangers including Kenton himself, Pete Rugolo, Bob Graettinger, and Bill Holman commonly emphasized [more]
Draw up a list of some of the top jazz artists of all time, and the legend featured in this recording would likely be at the top of that list. Louis [more]
Among the "coolest" of the West Coast tenor players of the 1950s, Bill Perkins in later years became a bit influenced by John Coltrane and modernized his style in a personal way. A flexible and versatile musician who also played baritone, alto, soprano, and flute, Perkins was best-known for his work on tenor. Born in San Francisco, he grew up in Chile, moved to Santa Barbara, and served in the military in World War II. After studying music and engineering, he played in the big bands of Jerry Wald, Woody Herman (1951-1953 and 1954), and Stan Kenton (1953-1954 and 1955-1958). "Perk" started recording as a leader in 1956 (most notably Grand Encounter with John Lewis), including sets with Art Pepper and Richie Kamuca. During the 1960s he had a dual career as a studio musician and a recording engineer, and during 1970-1992 he was a member of the Tonight Show Band. Since then, Perkins played baritone and tenor with the Lighthouse All-Stars and was a member of the Bud Shank Sextet, in addition to heading his own sessions for a variety of labels. He died on August 9, 2003 of cancer at the age of 79.~ Scott Yanow, All Music Guide