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Charlie Alexander

Appearances

13 Recordings Sort by Title or Popularity
Satch Plays Fats: The Music of Fats Waller [Bonus Tracks]
#5173726
Louis Armstrong
Label: Columbia/Legacy
Number of Discs: 1

Louis Armstrong and Fats Waller only worked together twice, briefly in 1925 in Erskine Tate's band and four years later in the New York [more]

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Satch Blows the Blues
#5179882
Louis Armstrong
Label: Sony Jazz
Number of Discs: 1

Of less importance than the concurrent release of The Best of Louis Armstrong: The Hot Five and Seven Recordings is Satch Blows the Blues, since it only distills the great [more]

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Louis Armstrong (1928-1931)
#8011672
Louis Armstrong
Number of Discs: 1

Draw up a list of some of the top jazz artists of all time, and the legend featured in this recording would likely be at the top of that list. Louis [more]

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Portrait of the Artist as a Young Man
#7176514
Louis Armstrong
Label: Columbia/Legacy
Number of Discs: 4

This four-CD set does its best to summarize Louis Armstrong's career during 1923-1934, reissuing 81 of his finest recordings. The problem is that virtually [more]

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Ken Burns Jazz: The Story of America's Music
#6143202
Various Artists
Number of Discs: 5

In conjunction with documentary filmmaker Ken Burns' ten-part 2000 PBS special, Columbia/Legacy and Verve teamed up to issue a special series of [more]

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Best of Ken Burns Jazz
#5163924
Various Artists
Label: Legacy Recordings
Number of Discs: 1

In conjunction with documentary filmmaker Ken Burns' ten-part 2000 PBS special, Columbia/Legacy and Verve teamed up to issue a special series of reissues covering much of [more]

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"Armstrong jovially balanced his calling as a musician with his job as an entertainer, applying his virtuosity while showing audiences a good time." —New York Times

Ken Burns Jazz
#5163648
Louis Armstrong
Label: Sony Mid-Price
Number of Discs: 1

In conjunction with the release of Ken Burns' ten-part, 19-hour epic PBS documentary {#Jazz}, Columbia issued 22 single-disc compilations devoted to jazz's most significant [more]

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Great American Songbook
#5189755
Louis Armstrong
Number of Discs: 1

While Louis Armstrong didn't invent jazz, he certainly shaped it in his own image, personalizing it, popularizing it, and giving it a template to follow into the modern [more]

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Alternative Takes, Vol. 1: 1926-1935
#21743395
Louis Armstrong
Number of Discs: 1

This 23-track compilation contains alternate takes of many of Armstrong's signature songs from this period on one album. The songs include

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Chicago Black Small Bands
#21678779
Various Artists
Label: Acrobat
Number of Discs: 1

Now here's a collection that is guaranteed to please anyone with a predilection for New Orleans-style jazz as it was played in Chicago during the 1920s and early '30s. [more]

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13 Recordings Sort by Title or Popularity

Biography

Louis Armstrong was this classic jazz pianist's most famous boss. During Alexander's stint as a member of the Armstrong big band in the early '30s, big boss Satchmo used to like to jokingly introduce his keyboard man as being from New Orleans. Actually Alexander hailed from Cincinatti, where he came up playing professionally in theatre orchestras in the early '20s.

He headed off to Chicago, where he began working in the group of J. Rosamund Johnson, once again exclusively playing on the theatre circuit. When he finally got off the road with this crew, it was back to Chicago and jazz in earnest. Players with the surname of Dodds seemed to like Alexander, or perhaps came across his name first in an alphabetical list from the Musician's Union. At any rate he gigged with both drummer Baby Dodds and the fine clarinetist Johnny Dodds. In 1928 he was member of the Johnny Dodds Trio with bassist Bill Johnson. He was part of the musical cast of the Johnny Dodds Washboard Band, which also featured Baby Dodds on drums as well as vocalist Lil Armstrong.

A long residency followed at the Bert Kelly's Stables venue on Chicago's north side, a job that was excellent enough for the pianist to ward off all other offers, that is until Armstrong came along with his new big band. Alexander played piano in the latter ensemble until the leader decided to go back to a smaller working group in 1932. One of Alexander's finest recording sessions with Armstrong was the wonderful Fats Waller tribute entitled Satch Plays Fats. Alexander eventually returned to the Windy City, where he remained until moving to California. ~ Eugene Chadbourne, All Music Guide