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Like swing guitarist Charlie Christian, Clifford Brown was incredibly influential for someone who died so young. The Fats Navarro-minded trumpeter was only 25 when a [more]
Sextet. This album includes some takes and Brown material unavailable elsewhere. ~ Ron Wynn, All Music Guide
This LP is less valuable now that it has been succeeded by EmArcy's massive ten-CD set, Brownie. Comprised mostly of alternate takes with a few previously [more]
Although Clifford Brown did a phenomenal amount of commercial recordings during his all too brief lifetime (he died prior to [more]
The Clifford Brown/Max Roach quintet was formed during the spring and summer of 1954 in Los Angeles. A concert by an early version of the group (with tenor [more]
The combination of Clifford Brown and Eric Dolphy together on any recording will likely have any serious jazz fan salivating. [more]
Since Clifford Brown's unexpected and sudden death following a 1956 car crash, collectors have sought any previously unknown recordings to add to the already [more]
The classic songs of Richard Rodgers and Lorenz Hart are rendered on this outstanding three-disc set, which features vocalists like Billie Holiday, Ella Fitzgerald, [more]
This is not and cannot be the Complete Cole Porter Songbooks, but it's a marvelous collection of 48 timeless jazz interpretations drawn from the Verve catalog. [more]
Like swing guitarist Charlie Christian, Clifford Brown was incredibly influential for someone who died so young. The Fats Navarro-minded trumpeter was only 25 when a [more]
A glance at this CD's cover might cause collectors to have a double take for it looks similar to the original A Night at Birdland album by Horace Silver and the Jazz [more]
Just prior to forming the first edition of the Jazz Messengers, drummer Art Blakey led a superb quintet at Birdland for a brief gig in 1954. The band featured [more]
Sextet. This album includes some takes and Brown material unavailable elsewhere. ~ Ron Wynn, All Music Guide
In jazz, ballads have a way of separating the men from the boys and the women from the girls. They show what an improviser is made of emotionally. On ballads, [more]
This two-disc set follows the legendary Blue Note label from its inception as the smallest of independent labels, issuing 12" jazz singles in the [more]
In conjunction with documentary filmmaker Ken Burns' ten-part 2000 PBS special, Columbia/Legacy and Verve teamed up to issue a special series of [more]
Although Rhino's four-disc box set, Q: The Musical Biography of Quincy Jones, was released to coincide with Quincy Jones' autobiography, and that's what gives [more]
Clifford Brown's death in a car accident at the age of 25 was one of the great tragedies in jazz history. Already ranking with Dizzy Gillespie and Miles Davis as one of the top trumpeters in jazz, Brownie was still improving in 1956. Plus he was a clean liver and was not even driving; the up-and-coming pianist Richie Powell and his wife (who was driving) also perished in the crash.
Clifford Brown accomplished a great deal in the short time he had. He started on trumpet when he was 15, and by 1948 was playing regularly in Philadelphia. Fats Navarro, who was his main influence, encouraged Brown, as did Charlie Parker and Dizzy Gillespie. After a year at Maryland State University, he was in a serious car accident in June 1950 that put him out of action for a year. In 1952, Brown made his recording debut with Chris Powell's Blue Flames (an R&B group). The following year, he spent some time with Tadd Dameron, and from August to December was with Lionel Hampton's band, touring Europe and leading some recording sessions. In early 1954, he recorded some brilliant solos at Birdland with Art Blakey's quintet (a band that directly preceded the Jazz Messengers) and by mid-year had formed a quintet with Max Roach. Considered one of the premiere hard bop bands, the group lasted until Brown's death, featuring Harold Land (and later Sonny Rollins) on tenor and recording several superb sets for Emarcy. Just hours before his death, Brownie appeared at a Philadelphia jam session that was miraculously recorded, and played some of the finest music of his short life.
Clifford Brown had a fat warm tone, a bop-ish style quite reminiscent of the equally ill-fated Fats Navarro, and a mature improvising approach; he was as inventive on melodic ballads as he was on rapid jams. Amazingly enough, a filmed appearance of him playing two songs in 1955 on a Soupy Sales variety show turned up after being lost for 40 years, the only known footage of the great trumpeter. Fortunately, virtually all of his recordings are currently available, including his Prestige dates (in the OJC series), his work for Blue Note and Pacific Jazz (on a four-CD set), and his many Emarcy sessions (reissued on a magnificent ten-disc set). But the one to pick up first is Columbia's The Beginning and the End, which has Brown's first and last recordings. ~ Scott Yanow, All Music Guide