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Fred Robinson

Appearances

12 Recordings Sort by Title or Popularity
25 Greatest Hot Fives & Sevens
#8007105
Louis Armstrong
Label: ASV/Living Era
Number of Discs: 1

The Hot Fives & Sevens are such an enormously important body of work that it seems like it would be impossible to separate wheat from chaff. But, really, would anyone [more]

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Satch Plays Fats: The Music of Fats Waller [Bonus Tracks]
#5173726
Louis Armstrong
Label: Columbia
Number of Discs: 1

Louis Armstrong and Fats Waller only worked together twice, briefly in 1925 in Erskine Tate's band and four years later in the New York [more]

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Satch Blows the Blues
#5179882
Louis Armstrong
Label: Columbia/Legacy
Number of Discs: 1

Of less importance than the concurrent release of The Best of Louis Armstrong: The Hot Five and Seven Recordings is Satch Blows the Blues, since it only distills the great [more]

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Louis Armstrong (1928-1931)
#8011672
Louis Armstrong
Number of Discs: 1

Draw up a list of some of the top jazz artists of all time, and the legend featured in this recording would likely be at the top of that list. Louis [more]

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Portrait of the Artist as a Young Man
#7176514
Louis Armstrong
Label: Columbia/Legacy
Number of Discs: 4

This four-CD set does its best to summarize Louis Armstrong's career during 1923-1934, reissuing 81 of his finest recordings. The problem is that virtually [more]

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Piano Man! [ASV]
#8006535
Earl Hines
Label: ASV/Living Era
Number of Discs: 1

Piano Man is the title of a Victor Bluebird record cut on July 12, 1939 by Earl "Fatha" Hines and his Orchestra. Piano Man is also the title of at least four different Earl Hines CD [more]

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"Armstrong jovially balanced his calling as a musician with his job as an entertainer, applying his virtuosity while showing audiences a good time." —New York Times

Ken Burns Jazz
#5163648
Louis Armstrong
Label: Columbia/Legacy
Number of Discs: 1

In conjunction with the release of Ken Burns' ten-part, 19-hour epic PBS documentary {#Jazz}, Columbia issued 22 single-disc compilations devoted to jazz's most significant [more]

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Harlemania
#21776609
Various Artists
Label: Avid
Number of Discs: 1

This is a clever collection of 25 tracks that either feature the word Harlem in the title (19 of them) or reference it in the lyrics. The CD includes five tracks by Duke Ellington, [more]

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Best of Louis Armstrong: The Hot Five and Hot Seven Recordings
#21646400
Louis Armstrong
Label: Columbia/Legacy
Number of Discs: 1

Even 34 years after his death, Louis Armstrong is still the most famous and beloved of all jazz musicians. While [more]

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Complete Hot Five and Hot Seven Recordings, Vol. 3
#21554938
Louis Armstrong
Label: Sbme Special MKTS.
Number of Discs: 1

The final volume of Louis Armstrong's Complete Hot Five and Hot Seven Recordings features 25 tracks. These recordings reveal how deeply and [more]

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12 Recordings Sort by Title or Popularity

Biography

  • Born Feb 20th 1901
  • Died Apr 11th 1984
  • Styles
    • Early Jazz
  • Instrument(s)

It seems odd that trombonist Fred Robinson had such a long life, for he is chiefly remembered for his work with Louis Armstrong from 1928-29, particularly the recordings with Armstrong's Savoy Ballroom Five. Robinson started playing trombone while in high school. After studying in Ohio at the Dana Musical Institute and freelancing, he moved to Chicago in 1927, where he worked with Carroll Dickerson's Orchestra -- an ensemble that Armstrong soon joined. Robinson was on quite a few of Satch's 1928 records and nearly all the ones with Earl Hines, taking a much more subservient role than Kid Ory had with Armstrong from 1925-27 (although Robinson did have some short solos). He continued working with Armstrong the following year and traveled to New York as part of Armstrong's big band. The trombonist then had associations with many orchestras including Edgar Hayes, Marion Hardy (1931), Charlie Turner's Arcadians, Don Redman (1931-33), Benny Carter (1933), four stints with Fletcher Henderson (1935, 1938, 1939 and 1941), Jelly Roll Morton (with whom he recorded in 1939), Andy Kirk (1939-40), George James (1943) and Cab Calloway (1944-45). Although part of jazz history, Robinson did not have many opportunities to solo with any of these groups; he mostly played in the background. Later associations included Sy Oliver (off and on from 1946-50) and Noble Sissle (1950-51) plus a lot of freelancing. Robinson, who never led his own record date, stopped being a full-time player by the mid-1950s (becoming a subway worker) although he occasionally gigged into the 1960s. ~ Scott Yanow, All Music Guide