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J.C. Higginbotham

Appearances

38 Recordings Sort by Title or Popularity
Boogie Woogie Man [ASV/Living Era]
#8006526
Albert Ammons
Label: ASV/Living Era
Number of Discs: 1

Albert Ammons was a superb stride and swing pianist as well as a master of the blues and an archetypal boogie-woogie ace. Living Era's Albert Ammons tribute album [more]

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Satch Plays Fats: The Music of Fats Waller [Bonus Tracks]
#5173726
Louis Armstrong
Label: Columbia
Number of Discs: 1

Louis Armstrong and Fats Waller only worked together twice, briefly in 1925 in Erskine Tate's band and four years later in the New York [more]

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Under the Harlem Moon
#8006982
Fletcher Henderson
Label: ASV/Living Era
Number of Discs: 1

Nice reissue featuring the great swing era bandleader Fletcher Henderson and his orchestra on recordings from 1932 to 1937. Some players presented include Omer Simeon, Coleman Hawkins, and Big Sid Catlett. ~ Ron Wynn, All Music Guide

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Dippermouth Blues: His 25 Greatest Hits
#8007098
King Oliver
Number of Discs: 1

Joe "King" Oliver was Louis Armstrong's idol and mentor. Although preceded by the earliest recordings of the Original Dixieland Jazz Band (1917) and both the [more]

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Satch Blows the Blues
#5179882
Louis Armstrong
Label: Columbia/Legacy
Number of Discs: 1

Of less importance than the concurrent release of The Best of Louis Armstrong: The Hot Five and Seven Recordings is Satch Blows the Blues, since it only distills the great [more]

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Pagin' Mr. Page
#8007267
Hot Lips Page
Number of Discs: 1

Some would undercut Page's greatness by merely calling him an Armstrong imitator who spent more time singing than blowing. But this best-of overview shows him to be a fine bandleader, [more]

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Really the Blues
#8007418
Sidney Bechet
Label: Jazz Archives
Number of Discs: 1

The extraordinary 1924 recordings with Louis Armstrong are on the first CD, plus material from his long stint with Noble Sissle. The second volume includes the complete New Orleans [more]

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Louis Armstrong (1928-1931)
#8011672
Louis Armstrong
Number of Discs: 1

Draw up a list of some of the top jazz artists of all time, and the legend featured in this recording would likely be at the top of that list. Louis [more]

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Portrait of the Artist as a Young Man
#7176514
Louis Armstrong
Label: Columbia/Legacy
Number of Discs: 4

This four-CD set does its best to summarize Louis Armstrong's career during 1923-1934, reissuing 81 of his finest recordings. The problem is that virtually [more]

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Ken Burns Jazz: The Story of America's Music
#6143202
Various Artists
Number of Discs: 5

In conjunction with documentary filmmaker Ken Burns' ten-part 2000 PBS special, Columbia/Legacy and Verve teamed up to issue a special series of [more]

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38 Recordings Sort by Title or Popularity

Biography

  • Born May 11th 1906 in Social Circle, GA
  • Died May 26th 1973 in New York, NY

An extroverted trombonist with a sound of his own, J.C. Higginbotham was heard at his best during the late '20s and early '30s, when he was one of the stars with Luis Russell's orchestra. From that point on, he went gradually downhill due to being an alcoholic, but he had worthy moments along the way. He started his career playing in territory bands in the Midwest. Higginbotham was with Russell (1928-1931) for some classic recordings, including a few sessions backing Louis Armstrong, and two songs on which he fronted the orchestra under the title of "J.C. Higginbotham and His Six Hicks." Higginbotham was a featured soloist with the orchestras of Fletcher Henderson, Chick Webb, and Benny Carter during the next six years, before re-joining Russell's band when it was playing a purely supportive role behind Armstrong (1937-1940); he had a few solos on Satch's better records of the period. Having teamed up with Red Allen while with Luis Russell, Higginbotham happily joined Allen's hot jump band for a long stint (1940-1947). Higginbotham spent a few years in obscurity, led his own groups in the mid-'50s, and re-joined Allen for a residency at the Metropole that lasted until 1963. He led sessions for Sonet (1962) and Jazzology (1966), but continued his decline until his death. ~ Scott Yanow, All Music Guide