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Louis Armstrong and Fats Waller only worked together twice, briefly in 1925 in Erskine Tate's band and four years later in the New York [more]
Of less importance than the concurrent release of The Best of Louis Armstrong: The Hot Five and Seven Recordings is Satch Blows the Blues, since it only distills the great [more]
Draw up a list of some of the top jazz artists of all time, and the legend featured in this recording would likely be at the top of that list. Louis [more]
This four-CD set does its best to summarize Louis Armstrong's career during 1923-1934, reissuing 81 of his finest recordings. The problem is that virtually [more]
In conjunction with documentary filmmaker Ken Burns' ten-part 2000 PBS special, Columbia/Legacy and Verve teamed up to issue a special series of [more]
In conjunction with documentary filmmaker Ken Burns' ten-part 2000 PBS special, Columbia/Legacy and Verve teamed up to issue a special series of reissues covering much of [more]
"Armstrong jovially balanced his calling as a musician with his job as an entertainer, applying his virtuosity while showing audiences a good time." —New York Times
In conjunction with the release of Ken Burns' ten-part, 19-hour epic PBS documentary {#Jazz}, Columbia issued 22 single-disc compilations devoted to jazz's most significant [more]
While Louis Armstrong didn't invent jazz, he certainly shaped it in his own image, personalizing it, popularizing it, and giving it a template to follow into the modern [more]
The Proper label continues its stellar jazz box-set series with this mammoth four-disc survey of drummers from early jazz to [more]
This 23-track compilation contains alternate takes of many of Armstrong's signature songs from this period on one album. The songs include
The older brother of the fine drummer Minor Hall, Tubby Hall started playing in New Orleans with the Crescent Orchestra in 1914. After performing with the Eagle Band, the Silver Leaf Orchestra and other notable local groups, Hall moved to Chicago where he played briefly with Lawrence Duhe's band in 1918 before being drafted. After his discharge, Hall performed with Carroll Dickerson's Orchestra for several years (recording with it in 1927) and also worked at various times with King Oliver, Tiny Parham and Boyd Atkins. His later associations included Louis Armstrong (recording with his big band in 1931-32), Johnny Dodds and Jimmie Noone (making records with the clarinetist in 1936 and 1940). Otherwise Tubby Hall (who did not head any record sessions of his own) freelanced and occasionally led his own groups. ~ Scott Yanow, All Music Guide