Thanks to its ownership of some of Cannonball Adderley's Riverside recordings, Capitol was able to stretch the definition of Best of Cannonball Adderley: The Capitol Years a bit in this hits collection. Beginning with a pair of live Riverside tracks from Adderley's short-lived sextet with Yusef Lateef ("Work Song," "Jive Samba"), the CD enters the Capitol years proper with the surprisingly effective treatment of "Fiddler on the Roof," continues with three hits centered around Joe Zawinul's soul/gospel electric piano ("Mercy Mercy Mercy," "Why Am I Treated So Bad?," and "Walk Tall"), the tension-wracked "74 Miles Away," and the relaxed "Country Preacher." There are missing ingredients, like the orchestral recordings, the excursions into electric music in the early '70s. Yet from the evidence of this strong lineup -- almost all of it recorded live, and often prefaced by Adderley's ingratiating spoken intros -- it would be very hard to argue (as some have) that his Capitol period was one long commercial sellout. ~ Richard S. Ginell, All Music Guide
Cannonball Adderley was one of the finest alto-saxophonists in jazz history, and one of the most beloved of all jazz musicians. He and his brother cornetist Nat Adderley had originally planned to spend their careers as schoolteachers in Florida but then fate intervened. In the summer of 1955, the Adderley Brothers were spending their summer vacation in New York City when they were urged to sit in with bassist Oscar Pettiford's group at the Cafe Bohemia. Their playing was at such an exciting level that it caused a minor sensation in the jazz world. Soon they were fulltime musicians in NYC, recording bebop-oriented records and co-leading a band.
Fame would not happen overnight. Because most jazz listeners had never heard of Cannonball Adderley, the band struggled for a couple years and was unable to build a large enough audience to survive. In 1957 Cannonball joined the Miles Davis Sextet (where he participated with Davis and John Coltrane in recording Kind Of Blue) while Nat played with trombonist J.J. Johnson and Woody Herman. In the fall of 1959 the brothers reunited to form the new Cannonball Adderley Quintet, and this time they caught on big. With Bobby Timmons contributing soulful piano and a hit song in This Here, the group had its own fresh personality. And Cannonball's very articulate talks to the audience along with his original yet accessible alto playing made the band into a very popular attraction. Even in the late 1960s, when jazz was at a commercial low (due to being overshadowed by rock), the Cannonball Adderley Quintet retained and even built on its popularity, adding funk and rock elements to its music.
The Best of Cannonball Adderley has some of the highpoints of the altoist's career during 1962-69. There are live versions of Nat's Work Song and The Jive Samba with Yusef Lateef's flute and tenor making the group a sextet. Fiddler On The Roof is given a swinging treatment and Joe Zawinul's Mercy, Mercy, Mercy is heard in its original version. In addition, a later version of the quintet is featured on four numbers including the lengthy 74 Miles Away and Country Preacher.
No jazz collection is complete without a strong sampling of the music of Cannonball Adderley. This CD is a perfect place to start!
-Scott Yanow
Work Song; The Jive Samba; Fiddler on the Roof; Mercy, Mercy, Mercy; Why Am I Treated So Bad?; Walk Tall; 74 Miles Away; Country Preacher.
Cannonball Adderley, Alto Sax; Nat Adderley, Cornet; Yusef Lateef, Charles Lloyd, Tenor Saxes; Joe Zawinul, Piano; Sam Jones, Victor Gaskin, Walter Booker, Bass; Louis Hayes, Roy McCurdy, Drums.
| Album Credits | |
Performance Credits |
|
| Cannonball Adderley | Sax (Alto) |
| Charles Lloyd | Sax (Tenor) |
| Joe Zawinul | Piano |
| Louis Hayes | Drums |
| Nat Adderley | Cornet |
| Roy McCordy | Drums |
| Sam Jones | Bass |
| Victor Gaskin | Bass |
| Walter Booker | Bass |
| Yusef Lateef | Sax (Tenor) |
Technical Credits |
|
| David Axelrod | Producer |
| Franko Caligiuri | Design |
| Michael Cuscuna | Compilation Producer |
| Orrin Keepnews | Producer |
| Ron McMaster | Digital Transfers |