Chapter Three: Viva Emiliano Zapata

Chapter Three: Viva Emiliano Zapata

  • Artist: Gato Barbieri
  • Total time: 29:27
  • Label: Impulse!
  • Availability: In stock
  • Item #: 21855658
  • Member Price: $10.98

Review

Chapter Three: Viva Emiliano Zapata is the third of the four excellent "chapters" in saxophonist and composer Gato Barbieri's four-part "Latin America" series for Impulse, and released in 1974 with the core of a band he would use for his live outing on Chapter Four: Alive in New York. Produced by Ed Michel, this is a large group that included bassist Ron Carter, drummer Grady Tate, percussionists Ray Mantilla, the ubiquitous -- and brilliant -- Portinho, Ray Armando, and Luis Mangual, guitarists George Davis and Paul Metzke, and a large horn section. The session was arranged and conducted by the legendary Chico O'Farrill. There are six tunes on the set, divided between four Barbieri originals, and two covers including the legendary "Milonga Triste," and "What a Difference a Day Makes." While the former became a staple of Barbieri's live sets, it's his own compositions that are of most interest here, such as the complex horn charts in "El Sublime," with its funky Latin backbeat and his gorgeous, impassioned, hard-edged blowing over the top. The groove is irresistible. The title track begins as a rhumba with a killer piano introducing the claves and other percussion before the popping brass underscore that unmistakable Afro-Cuban rhythm. O'Farrill colors his arrangement with lithe flutes finding spaces to be heard in the dense, building intensity of the horns and the drums and percussions playing counter rhythmic statements. What initially sounds like one statement being played continuously is gradually revealed to be a subtly shifting set of tones, rhythms, and even modalities. Barbieri blows against the entire mess initially, driving right into the enormous harmonious storm and eventually rising above it with enormous squeals and squawks, while never losing the lyric bent in the tune. It's a breathtaking finish to a stellar recording, and of the four chapters in the series, the one most accessible to most jazz fans. ~ Thom Jurek, All Music Guide

Tracks + Soundclips

Chapter Three: Viva Emiliano Zapata
1. Milonga Triste 5:00
2. Lluvia Azul 7:44
3. Sublime 5:51
4. Padrida 4:46
5. Cuando Vuelva a Tu Lado (What a Difference a Day Makes) 5:27
6. Viva Emiliano Zapata 6:06

Details and Credits

Product Details
  • Label: Impulse!
  • Release date: 1974/06/25
  • Instrumental
Styles
  • Latin Jazz
  • Experimental Big Band
Album Credits
Performance Credits
Al Ralph Trombone (Bass)
Alan Raph Trombone (Bass)
Alan Rubin Trumpet
Bob Brecker Trumpet
Bob McCoy Trumpet
Buddy Morrow Trombone
Eddie Martinez Piano
Gato Barbieri Sax (Tenor)
George Davis Guitar (Acoustic)
Grady Tate Drums
Howard Johnson Tuba
James Buffington French Horn
Jose Mangual Percussion
Luis Mangual Latin Percussion
Paul Metzke Guitar (Electric)
Portinho Percussion
Randy Brecker Trumpet
Ray Alonge French Horn
Ray Armando Percussion
Ray Mantilla Percussion
Ron Carter Bass
Seldon Powell Flute
Victor Paz Trumpet
Technical Credits
Andy Baltimore Creative Director
Andy Kman Production Coordination
Andy Ruggirello Graphic Design
Charles Stewart Photography
Chico O'Farrill Arranger
Dan Serrano Graphic Design
Dave Grusin Executive Producer
David Gibb Graphic Design
Doreen Kalcich Assistant Producer
Ed Michel Producer
Harry Weinger Reissue Supervisor
Hollis King Art Direction
Isabelle Wong Design
Joseph Doughney Post Production
Kevin Reeves Mastering
Larry Rosen Executive Producer
Michael Cuscuna Reissue Producer
Michael Landy Post Production
Michael Pollard Production Coordination
Michelle Barbieri Director
Nat Hentoff Liner Notes
Paul Elmore Audio Restoration
Scott Johnson Graphic Design
Sonny Mediana Graphic Design
Tony May Engineer
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