| 1. Chameleon | 15:44 | |
| 2. Watermelon Man | 6:32 | |
| 3. Sly | 10:20 | |
| 4. Vein Melter | 9:10 |
Chameleon; Watermelon Man; Sly; Vein Melter.
Herbie Hancock, Keyboards; Bennie Maupin, Woodwinds; Paul Jackson, Bass; Harvey Mason, Drums; Bill Summers, Percussion.
In many ways, when Herbie Hancock released Head Hunters it was a line of demarcation between what music was and where it was going. One of the largest selling jazz albums of all time, Head Hunters made Herbie Hancock, who was already considered a young genius on the piano, a household name. Funk grooves, awesome percussion and textures never before heard in music would influence a whole new generation of superstars.
For this CD reissue, Herbie Hancock has contributed his insightful essay about the creation of this masterpiece.
Herbie Hancock, who rose to prominence as the pianist with the Miles Davis Quintet of 1964-68, led an adventurous sextet during 1969-72 that incorporated aspects of funk and subtle rock rhythms in abstract ways. Although he loved the band, by 1973 he was frustrated at the lack of its commercial appeal. Since Hancock has always enjoyed the pop, funk and rock music of his era, he decided to break up the sextet and formed the Headhunters.
The new group, which featured Hancock on electric piano and synthesizers, Bennie Maupin on reeds, electric bassist Paul Jackson, drummer Harvey Mason and percussionist Bill Summers, had an immediate hit with its recording of Jackson's Chameleon, a 15-minute funk jam that is the highlight of the group's debut release, Headhunters. The band also performs three Hancock compositions: a funkified version of his famous Watermelon Man, Sly and Vein Melter. This best-selling album, although often grouped with fusion, actually de-emphasized rock in favor of funk and was quite influential, leading to an expanded electric jazz/funk movement.
Although synthesizers have since become more flexible and sophisticated, the music on Headhunters still sounds fresh, lively and quite funky today. A classic of the early 1970s.
-Scott Yanow