And indeed it is wonderful, a fitting memorial to the late Gene Kelly, starting out with the ever-wonderful rendition of
Ivie Anderson was Duke Ellington's star female vocalist from 1935 to 1942. Unlike most other Anderson compilations, Jasmine's I Got It Good & That Ain't Bad combines her best Ellington sides with mature work from as late as 1946. The selection is uncommonly excellent, and...
Leroy Anderson was a genius! Well, maybe he wasn't a Mozart or Beethoven, but when it came to composing short, musically evocative pieces that capture something as ambiguous as the "holiday spirit," Anderson was a musical magician. All you need hear is the cheerful "Sleigh...
Chris Anderson is one of the unsung heroes of modern jazz piano. A revered figure among musicians, largely for his role as mentor to a young Herbie Hancock, Anderson has long been hindered by illness from aggressively pursuing his rightful place in the jazz limelight. A Chicago native reared on...
John Corbett's Unheard Music Series of out jazz and improv classics, which is being released and distributed by Chicago's Atavistic label, has provided listeners a second opportunity to hear music that slipped through the cracks either because the label it originally appeared on was...
Drummer Michael Berkowitz brings back the sound of Gene Krupa and his orchestra on this intriguing set. Unlike too many of the swing ig-band recordings of the past 40 years, this program does not have solos that are mere re-creations of the original recordings (although Steve Hawk does play...
Tenorman Gene Ammons headed a series of notable studio jam session in the 1950s and this is one of the better ones. With such fine young players as trumpeter Idrees Sulieman, altoist Jackie McLean, pianst Mal Waldron, guitarist Kenny Burrell, bassist Paul Chambers and drummer Art Taylor, Ammons...
Volume 16 in the Classics Gene Krupa chronology documents his recording activity between March 1952 and September 1953. Although Krupa had struggled for years to keep his big band together, he had to throw in the towel in 1951. By the spring of the following year, he was leading his first...
The 1999 reissue of this title (CK 65625) is a major addition to Anita O'Day's catalog and, secondarily, to Roy Eldridge's and Gene Krupa's CD profile. Anyone who has heard the previous releases of Krupa's music from the early '40s on Columbia and OKeh knows how...
There are many Gene Ammons recordings currently available on CD in Fantasy's Original Jazz Classics, since the versatile tenorman was a longtime Prestige recording artist. Unlike his earlier jam sessions, this particular outing finds Ammons as the only horn, fronting a talented rhythm...
The first superstar drummer and still one of the most famous drummers of all time, Gene Krupa was a joy to watch. He could make every drum break into an exciting experience, winning over the audience who would cheer him on. Although a veteran of the 1920s Chicago jazz scene, Gene Krupa became...
The blues piano artistry of Gene Harris is well known to jazz fans, and this rare solo concert CD is worth acquiring. The leisurely
This is an excellent recording that pieces together three separate sessions. The first, with Art Farmer and Lou Donaldson marked Ammons' return to jazz after exploring R&B for a period of time. The second and third sessions find "Jug" teaming up with his musical soulmate Sonny...
A vast majority of the known professional recordings of Piedmont blues legend Pink Anderson were documented during 1961, the notable exception being the platter he split with Rev. Gary Davis -- Gospel, Blues and Street Songs -- which was documented in the spring of 1950. This is the first of...
Like volume one and three of the series of LPs Anderson did for Bluesville, this was recorded in 1961 (though it was recorded in New York City whereas the others were recorded in Spartanburg, SC). Volumes one and three were mostly traditional songs; these are all traditional songs in the public...
There isn't a weak track on Reid Anderson's remarkable debut CD. Leading a quartet comprised of Mark Turner on tenor sax, Ethan Iverson on piano, and Jordi Rossy on drums, Anderson constructs a universe of staggering complexity and lofty melodicism. The shape-shifting tempos of...
This first edition title -- later renamed Gospel, Blues & Street Songs -- is one of the cornerstones of Riverside Records' "Original Blues Classics" series. Regardless of the moniker, these sides loom large in the available works of seminal lues icons Pink Anderson and Rev....
It is ironic that on tenor saxophonist Gene Ammons' final recording date, the last song he performed was the standard "Goodbye." That emotional rendition is the high point of this session, a septet date with cornetist Nat Adderley, altoist Gary Bartz, pianist Kenny Drew, bassist...
Along with its fellow CD, Groove Blues, this reissue fully documents all of the music recorded by tenor saxophonist Gene Ammons on the busy day of January 3, 1958. Although there were many guest soloists, only one of the four songs on this half of the set (Mal Waldron's "The Real...

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