The set that made Cray a pop star, despite its enduring blues base. Cray's smoldering stance on "Smoking Gun" and "Right Next Door" rendered him the first sex symbol to emerge from the blues field in decades, but it was his innovative expansion of the genre itself that...
Michael Feinstein has long been considered one of the leading cabaret performers. He loves reviving older standards and has been a very popular attraction since the mid-1980s. Feinstein was born in Columbus, Ohio and worked with Ira Gershwin during 1976-82, organizing the archives of George...
Nice & Strong finds Paul deLay at the top of his form, turning out a set of hard-driving Chicago-style blues. Not only does deLay sound tougher than ever, his songs are simply stunning, displaying a devilish humor and a new vulnerability. It's another winning record from one of the...
Jimmy Smith, of course, was known mostly for his Hammond B3 organ skills, where his fingers skittered over the keys with piano-like speed, and his bluesy, soulful approach to jazz, which bordered on light funk at times. There is plenty of all of that on Stay Loose...Jimmy Smith Sings Again, and...
Whether this is truly the "best" of Witherspoon is debatable -- there's nothing predating 1956 -- however, it's a good 20-track sampling of 1956-1966 material, favoring (but not limited to) his sessions for Prestige. Witherspoon puts his imprint on a lot of lues/R&B...
A Jimmy Reed compilation titled The Best of the Vee-Jay Years is synonymous with a collection that assembles the very best of Jimmy Reed, since it was on Vee-Jay that the bluesman was in his artistic and commercial prime. Certainly this 18-song compilation isn't the first time this material...
These 20 tunes pair the great Mr.Witherspoon with the finest jazz, jump, and lues talents around. Jay McShann, Maxwell Davis, Tiny Webb, and Chuck Norris are only a few of the first-rate sessionmen and arrangers who grace the tracks of this essential CD. A special mention must be made of tenor...
Best Seller! Essential soul jazz set by the boss of the Hammond B3 Organ, Jimmy Smith. Teamed with tenor saxman Stanley Turrentine, guitarist Kenny Burrell, and drummer Donald Bailey on 4 cuts plus one previously unreleased bonus track.Back at the Chicken Shack; When I Grow Too Old To Dream;...
Back at the Chicken Shack is one of organist Jimmy Smith's classic Blue Note sessions, and the first to draw attention to tenor saxophonist Stanley Turrentine. Recorded in 1960 with Kenny Burrell on guitar, Donald Bailey on drums, and Turrentine, the group reaches the peak of funky...
This single CD reissues an earlier Jimmy Rushing two-LP set, leaving off two cuts due to lack of space. Jimmy Rushing, who may very well have been the definitive male ig band singer, sticks mostly to lues and Kansas City swing on the release and is backed by a variety of top swing all-stars,...
One of the best composers and arrangers to emerge during the op era, though not often ranked as high as he should be, Jimmy Heath proves his worth with this pair of studio sessions. Although Heath takes a few strong solos of his own, he primarily focuses on the abilities of the strong cast...
Spanning what is largely considered lues vocalist Jimmy Witherspoon's most fertile and important period between 1945 and 1951, Urban Blues Singing Legend is a superb four-disc box set that features most of the iconic post-war lues artist's best cuts. Witherspoon was a versatile...
The third of three CDs tracing the recording career of the unique oogie-woogie pianist Jimmy Yancey, whose subtlety could often result in some dramatic music, completes his December 1943 session and also has his December 23, 1950 solo set; his final recordings from July 1951 are available on an...
When it comes to the history and evolution of the organ in jazz, there are two periods: Before Jimmy Smith and After Jimmy Smith. The organ was regarded as a novelty instrument prior to Smith's arrival in New York in 1956. Its top early soloists were Fats Waller (who in the 1920s managed to...
For this blowing session, trombonist Jimmy Knepper performs with an all-star quintet comprised of Lew Tabackin on tenor and a touch of flute, pianist Roger Kellaway, bassist Monty Budwig and drummer Shelly Manne. These veterans have little difficulty coming up with fresh statements on the six...
Veteran trombonist Jimmy Knepper has led relatively few recording sessions, but this 1979 studio date is well worth acquiring. Knepper brought his own arrangements to the studio for his pickup group of European musicians to play, and all went well throughout the session. Flügelhornist Eddie...
Jimmy Rogers, one of Chess Records' less well-known recording artists under his own name though he was a mainstay of Muddy Waters' band in the early '50s, was well-represented by the two-CD set Complete Chess Recordings issued in 1997, the year of his death. But that collection,...
This LP has 12 of the 17 selections that pianist Jimmy Yancey cut during his first recording session. All of the music (plus the missing titles) have been reissued in full on CD by Document but this album has the advantage of also having Rudi Blesh's extensive and informative liner notes....
This reissue of Fusion and Thesis, the two albums the new Jimmy Giuffre 3 made in 1961, prior to their breakthrough and breakup in 1962, is nothing short of a revelation musically. Originally produced by Creed Taylor, who was still respectable back then, the two LPs have been complete remixed...
Trombonist Jimmy Knepper, who had not had the opportunity to lead his own record session in 19 years, is in top form during this quintet outing with tenor saxophonist Al Cohn (a compatible front-line partner), pianist Roland Hanna, bassist George Mraz, and drummer Dannie Richmond. Knepper...

| Newsletter Sign-Up | ||
|
|
|