Over the course of two crucial discs, The Major Works of John Coltrane compiles the saxophonist's most important extended free jazz pieces from 1965. This is the material that made Coltrane a giant of the avant-garde, completely casting off the limits of melody, harmony, and tonality that...
Dr. John was always respected as a consummate pianist, but he didn't make a solo, unaccompanied piano record until 1981's Dr. John Plays Mac Rebennack. The wait was well worth it. His music had always been impressive, but this is the first time that his playing had been put on full...
The violent cover photo (which shows a man after he was shot dead) sets the stage for the rather passionate music on this John Zorn set. With guitarist Bill Frisell, keyboardist Wayne Horvitz, bassist Fred Frith, drummer Joey Baron, and guest vocalist Yamatsuka Eye making intense contributions,...
This two-disc release captures beautiful and refined music that makes full use of two ensembles' extraordinary musicianship. Drawing from John Zorn's Masada songbook are the Masada String Trio and the Bar Kokhba Sextet. Each ensemble fills one CD with beautiful chamber jazz woven...
"Godard" and "Spillane" were the two first (and purest) examples of the "file card" composition technique developed by John Zorn and inspired by theater director Richard Foreman. The compositions were constructed from independent scraps of music inscribed on file...
This disc features music from the Independent Film Channel cable series of the same name. The idea of the series is to pair Lurie, the leader of the "non-jazz" big band the Lounge Lizards (and also an actor) with talents from independent films. For this purpose, Lurie whipped up a wide...
As the title signifies, the raison d'être behind this compilation seems to be zeroing in on songs that find John Martyn in his mellower after-hours folk-lues-jazz moods. While the 16 tracks span the first couple of decades of his recording career (from 1967-1986), it shouldn't...
I Ain't Gonna Be Worried No More compiles 23 songs Sleepy John Estes recorded between 1929 and 1941, capturing the bluesman at the height of his creative powers. Unlike many Delta bluesmen of his era, Estes worked with a full jug band, which gave his music a greater variety of textures. His...
On this intriguing concept album, altoist John Zorn (who also "sings" and plays harpsichord, game calls, piano, and musical saw) utilizes an odd assortment of open-minded avant-garde players (with a couple of ringers) on nine themes originally written for Italian films by Ennio...
Don't Turn Me from Your Door comprises a set of 1953 sessions that were originally released in 1963 and later in 1972, under the title Detroit Special. Despite its twisted historical background, this is fine, first-rate Hooker. A few tracks feature the support of guitarist/vocalist Eddie...
John Bunch, an excellent mainstream pianist, is heard on this CD at the peak of his form. It consists of a dozen Kurt Weill compositions interpreted solo by Bunch; highlights include "The Alabama Song," "My Ship," "This Is New," and "Speak Low." To fill...
Much of the music on this two-LP set is quite essential for any serious jazz library (all of it is also included in Monk's giant 15-CD box set The Complete Riverside Recordings). Although Thelonious Monk and John Coltrane played together for several months in 1957, until the discovery of a...
Dr. John's Gumbo bridged the gap between post-hippie ock and early ock & roll, lues, and R&B, offering a selection of classic New Orleans R&B, including "Tipitina" and "Junko Partner," updated with a gritty, funky beat. There aren't as many...
Ascension is the single recording that placed John Coltrane firmly into the avant-garde. Whereas, prior to 1965, Coltrane could be heard playing in an avant vein with stretched-out solos, atonality, and a seemingly free design to the beat, Ascension throws most rules right out the window with...
One of the more fun and informative ways to discover the jazz greats is to trace the music's evolution from album to album, checking out the music of the featured sidemen. Trumpeter Miles Davis had the masterful tenor-saxophonist John Coltrane in his band for several years. John...
One of the most important jazz musicians of all time, John Coltrane ranks at the top in significance, influence and musicianship with Louis Armstrong, Duke Ellington, Charlie Parker, Dizzy Gillespie and Miles Davis. As a tenor-saxophonist, Coltrane originally developed his sound out of the...
Arguably John Coltrane's finest all-around album, this recording has brilliant versions of "Afro Blue" and "I Want to Talk About You"; the second half of the latter features Coltrane on unaccompanied tenor tearing into the piece but never losing sight of the fact that it...
One of the most important jazz musicians of all time, John Coltrane ranks at the top in significance, influence and musicianship with Louis Armstrong, Duke Ellington, Charlie Parker, Dizzy Gillespie and Miles Davis. As a tenor-saxophonist, Coltrane originally developed his sound out of the...
For this classic encounter, Duke Ellington "sat in" with the John Coltrane Quartet for a set dominated by Ellington's songs; some performances have his usual sidemen (bassist Aaron Bell and drummer Sam Woodyard) replacing Jimmy Garrison and Elvin Jones in the group. Although it...

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