Hanssler Classics is known more for its classical recordings than its occasional jazz releases, but when they feature a visiting American jazz all-star with the SWR Big Band, they make one wonder why they don't do more jazz. Frank Foster is their special guest, leading the band through a...
Trumpeter Wallace Roney, 32 at the time of this recording, has yet to escape from the shadow of Miles Davis. However he is one of the stronger brassmen in jazz of the 1990s and plays quite well on this set, which includes three numbers by younger brother Antoine Roney (who is heard on this CD on...
Seth Walker helps to revitalize the lues on this enjoyable disc. The songs, which are lues allads rather than in most cases being technically lues, feature catchy and intelligent lyrics, melodic hooks, and fine singing and guitar playing from Walker. A few of the originals could catch on as...
This generously programmed CD was derived from two different early-'60s albums by the Mormon Tabernacle Choir that happen to fit together by virtue of the common period shared by the repertory. Their approach to the music is somewhat different from that of the Roger Wagner Chorale, who...
Ruthie Foster has plenty of soul in her voice and the funky music she enjoys, enough to spread around to many listeners of populist contemporary blues and beyond. Blessed with solid chops and a style to match, Foster brings down the house on this set of tunes that crosses over to dance music...
Recorded on the opening night of the Festival International de Jazz de Montreal as part of an eight-concert series paying tribute to Charlie Haden. While the other evenings all featured stellar musicians and wonderful collaborations, this one is special because it features Haden in a trio of...
On this CD recorded at various shows, Ruthie Foster is a folkie at heart, but she meshes various styles and nuances into each song, beginning with the short but pleasing ango-like intro to the powerful and soulful "Ocean of Tears." The song glides along gracefully as Foster's...
No longer trying to push the envelope of innovation, Tyner settles down with a pair of experts and carves out a very nice, fairly orthodox piano trio album. This is Tyner reaffirming most of his strengths: the massive tone quality, the two-handed control over the entire keyboard, and the...
The basis of award-winning New York City-based vocalist Mary Foster Conklin's heartfelt tribute to songwriter Matt Dennis is that he died in 2002 too little remembered, and she wanted to shine the light on his legacy. Then, of course, the crisply written liner notes by James Gavin quotes a...
Known primarily as a sideman, veteran drummer Al Foster nevertheless has led a quartet since 1997, as noted by his bassist throughout, Douglas Weiss, in this album's annotations, playing "nearly 500 dates all around the world," or about 50 a year. In that time, Foster's group...
It may surprise some people today that such songs as Oh! Susanna and My Old Kentucky Home are not folksongs.But they're the next best thing, having been penned by none other than Stephen Foster, the first great American songwriter and an important contributor to the first truly American...
Trumpeter Bobby Shew and saxophonist Gary Foster helm this collection of straight-ahead modern jazz featuring the compositions of Reed Kotler. Kotler, a Bay Area native and protégé of pianist/composer Don Haas, writes in an engaging and often moody style not unlike Bill Evans....
Dedicating one song to her late father who passed away in January 2002, Ruthie Foster's vocals mix gospel with a healthy helping of Texas blues in the vein of Bonnie Raitt or occasionally Melissa Etheridge. The mid-tempo opener, "Runaway Soul," is a solid beginning with harmonica...
It's About Love, an acoustic post-bop date that pianist Bill Cunliffe co-leads with saxman Gary Foster, is subtitled The Music of Reed Kotler. Upon seeing that name, some listeners are bound to ask, "Who is Reed Kotler?" -- and the answer is that Kotler is a talented but...
In the liner notes to Changing Fortunes, saxophonist Mick Foster prattles on like a gray-haired jazzbo academic about "tone colours" and their capacity to transform melody. Whatever Foster's synesthetic aspirations were, his group's palette is dominated by the smoky blue of...
Ruthie Foster's fifth CD features the singer moving away from her usual genre of modern folk music into soul. While she performs selections by Son House and Sister Rosetta Tharpe and there are bluesy performances, most of the numbers are of more recent vintage. Her powerful voice, which...
"Let me begin by saying that this is not the greatest jazz album you've ever heard." So states critic/DJ Harry Abraham in the liner notes on the back of Sweet Revival, Ronnie Foster's second album as a leader. Abraham was obviously trying to deflect criticism that this record...

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